CLUSTER goes to Stockholm!

Art Fair, CLUSTER, collaboration, Exhibition

Last month, my artist collective CLUSTER headed to Stockholm to exhibit our work at the Supermarket Independent Art Fair. Supermarket is the biggest Nordic Art Fair. This year, 66 booths showcased work by artists from Albania, Algeria, Argentina, Austria, Australia, Czech Republic, Denmark, Egypt, England, Finland, Germany, Ireland, Japan, Latvia, Netherlands, Norway, Palestine, Portugal, Romania, Sweden and the US.

It was a whirlwind week of hard work, delicious food, inspired conversations and deepening friendships that I’m still digesting a month later…which is why it’s taken me so long to condense this experience into a succinct blog post.

The Fair’s theme this year was Dream On, which we each interpreted in our own way. A few weeks before leaving, the nine of us met at my place to share the work we planned to exhibit. We were delighted to discover that, despite our varied interpretations, there was a narrative through line that wove our pieces together. So we left Seattle feeling confident that we could assemble a strong booth that was cohesive yet diverse.

Scandic Skärholmen doesn’t play when it comes to breakfast! Our morning meetings were deicious…

In Stockholm, we started each day enjoying the hotel’s deluxe breakfast buffet which powered us through to late afternoon. Our first day was installation day. June is a seasoned curator who’s highly capable of pulling together disparate works to tell a cohesive story. So we laid our pieces out in the booth, and gave her some time and space to figure out the flow. Once the layout was decided, we got down to work.

(Click & scroll to view larger photos with captions.)

We are all independent, hard working women who are quick to lend a hand. So the entire installation ~ from troubleshooting and devising grid hanging systems to reconfiguring the layout and wiring for electricity ~ was joyful and collaborative. We were just excited to be where we were, doing what we were doing, together.

LtoR: Marilyn Charlat Dix, Carolyn Autenrieth (back), Rosalie Frankel, Eliaichi Kimaro, Dawn Endean, Ellen Hochberg, June Sekiguchi

I believe the diversity of our work was our strength. Throughout the Fair, the CLUSTER booth drew a steady crowd. While everything wasn’t for everyone, if you walked through our booth, chances were high you would connect with someone’s work strongly enough to want to spend time with it.

 

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A few close-up shots:

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Meanwhile, we scheduled our booth shifts so that everyone could have a couple days to explore Stockholm. I split my time between old town Gamla Stan and the museums of modern art (Moderna Museet) and photography (Fotografiska Museum). Stockholm’s public transportation made getting around easy, and the areas we visited were pedestrian friendly. What a delight to spend the day with friends exploring, shopping, dining, and feasting our eyes on beautiful architecture and art!

(Click or hover for captions.)

There’s so much more to say…but this is enough to get started. I returned to Seattle a week later with a full heart. This adventure deepened both our individual friendships and our collective commitment to CLUSTER. Look forward to reuniting in June to debrief our trip and make plans for our next exhibit (we already have a gallery booked!) Stay tuned…

 

The Art of Daily Practice – Opening Reception

Art For Sale, Art Journal, CLUSTER, collaboration, creativity, Exhibition, Gallery, inspiration, Installation, process

Lynann Politte at Vashon Center for the Arts has been a joy to collaborate with on my solo show ~ The Art of Daily Practice. My work this past year has been fueled by a vision of what an exhibit of my journal pages could look like. And now, seeing how it all came together, I have to say reality far exceeded my dream!

So much creative collaboration goes into putting on a “solo” show. Many thanks to Lucky Rabbet Framing for doing such a mega job floating & framing 28 journal pages. Thanks also to Lynann and her mentor Paul Martinez who had their work cut out for them with this installation. The placement of every piece has been carefully considered…and the resulting exhibit looks spectacular!!

Coming up
Artist Talk: The Art of Daily Practice
Vashon Center for the Arts
Saturday, Feb. 17 at 2pm.

Thank you to all who came to the opening!! It was lovely to meet so many people new to my art, and to hear their reflections and see the work through their eyes. I was delighted to see old friends from all chapters of my adult life. And Vashon is home to members of my creative team from my film, A Lot Like You. I spent a lot of time on this island in the 8 years it took to make the film, and it was lovely to reunite with Eric Frith (editor), Pete Droge (composer), Elaine Summers (music supervisor) and Jeff Hoyt (voice over coach).

And finally, my gratitude to event photographer Wade Yip, as well as June Sekiguchi, Eric Frith and VCA gallery, for sharing their reception photos. Feel free to click on any image below and scroll through. Enjoy!

 

The Art of Daily Practice (Solo Show & Artist Talk)

Art For Sale, creativity, Exhibition, Gallery, process

In February, I will be exhibiting my latest work at one of my favorite art venues in the Pacific Northwest ~ Vashon Center for the Arts. Together with the gallery manager, Lynann Politte, we came up with a show idea about the ritual of daily practice.


In 2023, I challenged myself to create one small painting every day. I dusted off my smallest sketchbook and let go of any expectations of perfection. My only goal was to show up & play ~ experimenting with materials, color, form and technique. Pretty soon, my journal paintings broke free from covering the whole page, and these bold, colorful forms started to emerge.

This exhibit will include a sampling of my journal pages and some of the larger pieces they inspired.

In my Artist Talk, I will share new research findings about how engaging regularly in a creative practice, regardless of skill level, transforms our brains and bodies. And I will reflect on the most surprising take-aways from my daily writing and painting practice.

Vashon Center for the Arts
19600 Vashon Hwy SW
Vashon, WA 98070
Opening Reception: Fri Feb 2, 5-8pm.
Artist Talk:  Sat Feb 17, 2pm.
Exhibit dates: Feb 2-25
Gallery Hours: Wed-Sun, 12-5pm

Origin Story – The Offering

Art For Sale, creativity, Exhibition, Gallery, Narrative, Origin story, process, Story, Works In Progress


The Offering (48″x48″): I love pieces that develop in their own time. As these paintings grow with me over months, my challenges, wishes, joys and sorrows get embedded in the layers. The painting becomes a time capsule that captures who I am and how I’m feeling as the piece evolves.

I love some of the color and energy in the earlier versions, but these passages, while pretty, were meaningless. I relish paintings where the struggle leads me to unknown places and pushes me beyond my capabilities. At their best, my paintings feel like an archeological discovery, as if I’m unearthing something that’s always been there. The finished piece is something I never could (or would) set out to paint. So these origin stories remind me of how a painting came to be…

 


June 15, 2023: I am both here and not here…a meditation on impermanence that is resonating with me today. And so I embedded it in the first layer of this 48″x48″ piece.

 


June 18
: Starting to build up surface history that I can later work back into. Happy to be working large once again…

 


June 22: Working on large pieces in a small studio makes it hard to stand back and view the painting from a distance. So posting progress pics on Instagram scales down the image, allowing me to troubleshoot compositional problems and figure out where the piece wants to go next…🤓

 


June 25: Very early stages yet, but after a brief TimeOut, we’re starting to listen to each other…

Transforming Trauma Into Art

Activism, creativity, family, Film, inspiration, Narrative, podcast, press, process, Speaking, Story

LISTEN TO THE PODCAST HERE

I was recently a guest on the Future Tripping Podcast, a project of the Trauma Stewardship Institute. The host, Laura van Dernoot Lipsky, is an author/activist, an internationally recognized leader in the field of trauma exposure ~ and one of my dearest friends for the past 30+ years! As such, she holds all the pieces of my personal, family, work and creative life. At its core, our conversation reveals the depth and breadth of “making art to better understand my cultural inheritance and legacy,” and shows why art – the creation and maintenance of it – can be an essential act of liberation.💗

Art Pages

Art Journal, creativity, Crush/Repeat, Gallery, inspiration, process

In March, I participated in Crush/Repeat, a 31-day challenge to create something every day. I decided to focus on creating a small painting in my sketchbook daily.  And now I can’t stop!

I could line a shelf with all the sketchbooks I’ve abandoned after a couple pages of tentative marks. So I pulled out my smallest (5.5″x8.5″), cheapest sketchbook  and let go of any expectation to produce anything finished. My only goal was to show up & play ~ experimenting with colors, materials and techniques. The lessons learned from these bold little explorations are starting to show up in my larger paintings.

Starting my days by writing in my journal, followed by a 20 minute art page, loosens me up and gets me in the zone. I am no longer tethered to needing a full day in the studio to feel like I got my creativity fix. If 20 minutes is all I have, I know it will be enough. 🤠

(I’m grateful to my friend, Helen Kim, for showing me the way of her morning pages.)

 

Making Peace with Uncertainty

creativity, process, Speaking

I had the joy of talking with a dear friend the other day on her podcast (more info soon!) And as it often does, our conversation sparked further thoughts and ideas. So I’m trying something new. I will be posting short videos ~ a parking lot of thoughts/ideas about art and life, and why creativity (in its myriad of forms) matters…

Chateau Orquevaux

collaboration, creativity, inspiration, process, Residency

Day One

Three weeks after returning from France, I’m finally sitting down to reflect on this residency experience and the profound impact it has made on my art practice and my life.

I spent the month of September at Chateau Orquevaux in France with 17 other artists. We’re writers, painters, collage artists, photographers, builders and makers from Iran, India, Ukraine, Russia, El Salvador, Canada, and the US. All but 2 were there for the full 4 weeks. The setting was sublime.  Every resident had a private room and private studio.  Just imagine waking up to this view every morning!

View from my bed(!!!)

View from my bed (!!!)


I lucked out by also having an en suite bathroom (shhh!!) and a private bath. And here’s the kicker ~ all meals were provided. There was never a shortage of food. Or wine. Or coffee…

Classically trained Chef Marie brings the joy every single night, providing numerous menu options to accommodate everyone’s dietary needs.


Especially as a mom, having all my needs met, having nowhere else and no one else I needed to be, nothing else I needed to be doing but diving deep and creatively exploring was life changing. 

The Stables. My studio = carriage doors on the left.

My studio was in the stables, just down the driveway from the Chateau. As someone with a home studio, this ritual of walking to my work space was new to me. I came to appreciate this short commute between where I live and where I create. This distance gave me the privacy I needed to release the pressure valve and finally explore matters I’d been avoiding. With no to-do lists cluttering my mind, my journal pages were filling with hopes, dreams, and fears that needed a wide expanse of time and space to surface. 

Then, with my heart wide open and vulnerable, I would head into the studio. Instead of listening to podcasts, as per usual, I listened to music. Following a tip from my writer friend Jonathon, when I found a song that resonated with the emotional space I was in (or wanted to be in), I added it to my ChateauO playlist and put it on repeat. And wow, did that open doors I wasn’t ready for. My thinky brain was no longer in command of my creative process. All I could do was paint my way through my feelings…which was one of my creative goals.

Rise & Shine, Acrylic & oil on 30″x 40″ linen canvas.


At this point, I could write about the work I made, the breakthrough pieces, my choice of medium and materials. And maybe I will in another post. But here’s the honest truth. I was ready to show up and make a lot of work. I was prepared to push myself to go deeper. I was looking forward to luxe accommodations and exploring the grounds and the town.

But what blindsided me was the degree to which I would fall in love with my fellow residents. After 2+ years of being an isolated pod person, I felt socially awkward and dreaded having to engage with strangers for 4 weeks. Luckily from what I could tell, socializing was limited to dinners and sporadic evening events.

Chateau Orquevaux ~ September 2022 Residents

I never imagined a gathering of such talented, brilliant, wickedly funny people. We laughed, danced, sang, cried, explored, told stories, bore witness, made art, played dress up, took chances, and bared our souls. My final Instagram reel contains no images of the mountains of art we made. Just photos of people falling in love, making memories that will last a lifetime.  All in the span of 28 days.

 
 
 
 
 
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Residency Goals

creativity, inspiration, Narrative, process, Residency, Story

I have the good fortune of spending the month of September at an international artist residency in the Champagne region in France. Chateau Orquevaux offers 2- and 4- week residencies to artists of all disciplines from around the world. This will be my first experience at an international residency.

As I close down my studio and pack my bags, I have a few goals in mind:

1. I will leave my oil and encaustic paints at home, and instead travel with acrylic paints, charcoal, ink, watercolor, crayons. And I want to work on paper so that I can pack all my work in my backpack and suitcases when I come home. Travel light. Keep it simple.

2. When COVID shut the world down, I took advantage of the increased access I had to teachers/mentors. When they went online with their course offerings, I was right there, ready to soak up their teachings. So the past 2 years for me has been a period of intensive learning about color, value, design, texture, best studio practices ~ just arming myself with knowledge to expand and deepen my ability to paint and see.

But the more I learned, the harder it became to paint instinctively. My brain became a bully, taking command of the creative process. All my choices became conscious, calculated decisions. I was thrilled to discover that I could apply what I know to resolve my painting at any stage ~ especially those early stages with fresh, energetic marks. The flipside was that I grew precious about my work, fearful about letting go and trusting that something better would emerge. As a result, my paintings ~ which used to be 20-30 layers deep ~ became very surface and shallow.

So my goal now is to find my way back to how I used to paint. I need to trust that all my learning is there and accessible if/when I need it. But I don’t want to lead with my head any more. I want to return to using my gut as my guide to painting my truth.