Loving & Letting Go

Art For Sale, Art Journal, creativity, Exhibition, Gallery, inspiration, Installation, process, Residency, Story

I am overjoyed with how the Loving & Letting Go exhibit came together. In the next few posts, I will be reflecting on different aspects of my solo show. Today’s post focuses on the exhibit itself. I absolutely love this view from the outside.

Huge thanks to Mark Woods and Vassilisa Kapila for these beautiful photos.

 

This may be my favorite wall in the show. There’s something about the way these pieces hang together (maybe it’s the blues) that I find so pleasing.

 

These works in the front of the gallery are what most likely come to mind when people think of one of my paintings ~ lots of depth with layered surfaces that are textured, weathered and worn. In these pieces, there’s a tension between opposing forces seeking resolution (motion/stillness, geometric/atmospheric, light/dark, etc) ~ a fitting match for show’s theme of loving and letting go.

 

 

 

I made the large paper piece on the left during my 2022 Chateau Orquevaux artist residency in France. After my morning writing, I headed into my studio and painted some quick works on paper just to loosen up.  At the end of our month, we were invited to exhibit the work we’d created…and I didn’t want to show 30 pieces of paper. So I decided to make a painting out of paper. This is what I came up with.

The 3 smaller pieces on the right are what my quick works on paper evolved into ~ these pages have taken on a life of their own, and are currently exhibiting in my solo show (“Little & Often”) in Chicago.

 

The beauty of this space is that it offered up different rooms that allowed me to showcase various sides of my creative practice. This little nook held more standalone pieces that were still pivotal in my journey.

 

Heading down the hall, I love this peekaboo view into this room. I enjoyed witnessing people’s responses as they stumbled upon this unexpected installation. The walls of the room are lined with 8 years of original journal pages.

Artist Talk

artist talk, creativity, Gallery, inspiration, Installation, process, Speaking, Story

“Following the Narrative Throughline”
Loving & Letting Go (solo show)
July 26, 2025 at 3pm

It was a pleasure to sit down with gallerist Devon Dunham to discuss the narrative thread that weaves through the art, film, and writing in my solo show, Loving & Letting Go.

Gallerist Otto Chan was kind enough to livestream the talk, so people were able to attend both online and in person. What a gift to spend time with you reflecting on the themes and stories that continue to fuel my work.

Enjoy!

00:43 Talk begins

01:08 Devon – intro & story about finding and reaching out to Eli.

04:03 Eli – stretching herself creatively for this show and reflects on the serendipity that made the hut installation possible.

08:20 Eli – her daily writing practice and the installation of her journal pages.

10:43 Devon & Eli – externalizing the internal world, and how the exhibit moves from the hut to the journal pages to the paintings.

14:30 Eli – tracing her creative journey back to the film, and discussing the inspiration behind making the film (the search for identity and belonging.)

17:54 Eli – film screening during the exhibit highlighted how her art picked up where the film left off.

18:55 Eli – this body of work exploring the theme of “Loving & Letting Go” began during her 2022 Chateau Orquevaux residency in France. This theme continues to resonate on multiple levels.

22:22 Devon & Eli – Loving and Letting Go as an act of self-exploration ~ a body of work to more deeply understand “Who Am I?”

24:18 Eli – her daughter’s response to the show.

25:25 Devon – shares visitors’ profoundly personal responses to the Chagga hut and his own reflection on Eli’s body of work.

29:24 [Audience question] Eli & Devon – share their thoughts on the painting behind them ~ “The Offering.”

33:24 [Audience question] Eli – shares creative process, how her work continues to surprise her, and the conversations she has with her work as it’s developing.

35:34 [Walk up the the front.]

36:08 Eli – the paintings in the front gallery (vs the back) and how they invite you to move in closer.

38:57 [Audience question] Eli – including writing in her work.

41:18 [Devon question] Eli – intention behind incorporating text and graphic imagery in her work.

45:06 Devon – asks audience member pick a favorite piece and share how it makes them feel.

47:30 Eli – difference between encaustic and cold wax medium, and how/why she works with oil & cold wax.

50:35 Eli – how she knows when a piece is done.

54:25 One final audience comment/question…

Origin Story – The Offering

Art For Sale, creativity, Exhibition, Gallery, Narrative, Origin story, process, Story, Works In Progress


The Offering (48″x48″): I love pieces that develop in their own time. As these paintings grow with me over months, my challenges, wishes, joys and sorrows get embedded in the layers. The painting becomes a time capsule that captures who I am and how I’m feeling as the piece evolves.

I love some of the color and energy in the earlier versions, but these passages, while pretty, were meaningless. I relish paintings where the struggle leads me to unknown places and pushes me beyond my capabilities. At their best, my paintings feel like an archeological discovery, as if I’m unearthing something that’s always been there. The finished piece is something I never could (or would) set out to paint. So these origin stories remind me of how a painting came to be…

 


June 15, 2023: I am both here and not here…a meditation on impermanence that is resonating with me today. And so I embedded it in the first layer of this 48″x48″ piece.

 


June 18
: Starting to build up surface history that I can later work back into. Happy to be working large once again…

 


June 22: Working on large pieces in a small studio makes it hard to stand back and view the painting from a distance. So posting progress pics on Instagram scales down the image, allowing me to troubleshoot compositional problems and figure out where the piece wants to go next…🤓

 


June 25: Very early stages yet, but after a brief TimeOut, we’re starting to listen to each other…

Transforming Trauma Into Art

Activism, creativity, family, Film, inspiration, Narrative, podcast, press, process, Speaking, Story

LISTEN TO THE PODCAST HERE

I was recently a guest on the Future Tripping Podcast, a project of the Trauma Stewardship Institute. The host, Laura van Dernoot Lipsky, is an author/activist, an internationally recognized leader in the field of trauma exposure ~ and one of my dearest friends for the past 30+ years! As such, she holds all the pieces of my personal, family, work and creative life. At its core, our conversation reveals the depth and breadth of “making art to better understand my cultural inheritance and legacy,” and shows why art – the creation and maintenance of it – can be an essential act of liberation.💗

Art Magazine Article

Activism, article, creativity, Exhibition, inspiration, Narrative, press, Print, process, Story

I am delighted to be featured in the Summer issue of PublicDisplay.ART ~ Seattle’s only community-supported, arts-focused publication. What an honor to be in the company of so many artists I admire. And it’s the first time my art & story has been featured in print media!

If you’re in Seattle, you can find the magazine at 600+ local retailers, restaurants, cafes, galleries, bars and libraries around town. Or if you prefer, you can view the issue online here (I’m on pg 26-27).

PublicDisplay.ART is published by OneReel, the same organization that produces NW Folklife and Bumbershoot (among many other cultural events/projects year round).

 

 

Residency Goals

creativity, inspiration, Narrative, process, Residency, Story

I have the good fortune of spending the month of September at an international artist residency in the Champagne region in France. Chateau Orquevaux offers 2- and 4- week residencies to artists of all disciplines from around the world. This will be my first experience at an international residency.

As I close down my studio and pack my bags, I have a few goals in mind:

1. I will leave my oil and encaustic paints at home, and instead travel with acrylic paints, charcoal, ink, watercolor, crayons. And I want to work on paper so that I can pack all my work in my backpack and suitcases when I come home. Travel light. Keep it simple.

2. When COVID shut the world down, I took advantage of the increased access I had to teachers/mentors. When they went online with their course offerings, I was right there, ready to soak up their teachings. So the past 2 years for me has been a period of intensive learning about color, value, design, texture, best studio practices ~ just arming myself with knowledge to expand and deepen my ability to paint and see.

But the more I learned, the harder it became to paint instinctively. My brain became a bully, taking command of the creative process. All my choices became conscious, calculated decisions. I was thrilled to discover that I could apply what I know to resolve my painting at any stage ~ especially those early stages with fresh, energetic marks. The flipside was that I grew precious about my work, fearful about letting go and trusting that something better would emerge. As a result, my paintings ~ which used to be 20-30 layers deep ~ became very surface and shallow.

So my goal now is to find my way back to how I used to paint. I need to trust that all my learning is there and accessible if/when I need it. But I don’t want to lead with my head any more. I want to return to using my gut as my guide to painting my truth.

Lost In Composition – interview

Activism, collaboration, creativity, family, Film, Narrative, process, Story

I’m so grateful to art collector Paul Drinkwine for inviting me to partake in his project, Lost In Composition, “an art blog focusing on living artists and their works.” What a gift, to have this growing record of folks making art in our region at this moment in time.

Our conversation covered a 30 year span ~ starting with my activism, then moving through my work in film, photography, parenting, and finally visual art. What a rare treat to have this much time and space to reflect on my life and creative journey!

Paul created this dedicated page for our conversation which includes his reflections, images of work we discussed, and links to other artists mentioned in our conversation.

I look forward to seeing who he selects for future episodes…

 

 

Winter/Spring Art News…

Art For Sale, collaboration, creativity, education, Exhibition, Gallery, inspiration, Narrative, process, Speaking, Story

Just published my Newsletter with updates on 1) creative collaborations with filmmakers, authors, musicians & chefs, 2) my foray into teaching, and 3) shows in venues around town.

You can click the Subscribe button at the top of the page if you would like receive my newsletters (I send out 2-3 a year).

Composing a Life” – Acrylic mixed media on 24″x 24″ wood shipping panel.

 

Speaker ~ Pricing Your Artwork webinar

Art For Sale, collaboration, process, Speaking, Story

Online Conversation with Eliaichi Kimaro & Shalene Valenzuela
Wednesday, March 9, 6-7pm PST

 

FREE with Advance Registration: https://us06web.zoom.us/meeting/register/tZAod-Gvrz0rGNATDbbx2- JD1pXhLE-Y7hWQ 


Mini Confabs & MAC Speaks Series: Conversations BY artists FOR artists. The Robert B. McMillen Foundation in collaboration with Gallery One and Allied Arts of Whatcom County are hosting conversation, skillbuilding and networking opportunities FOR artists BY artists.


Do you struggle with pricing your work? Set the price too low and you could leave money on the table, set the price too high and your artwork could start stacking up in your studio. How do you find the sweet spot that ensures you are getting paid fairly for your work? How do you deal with gallery commissions vs direct sales out of your studio, and what about reproductions? It looks different for each artist. Join us for a conversation and hear how two artists tackle this topic!

. . . . .

UPCOMING SPEAKERS:
  • Friday, March 25th – 6:30-8pm PST via Zoom
    Demo/Artmaking
    Mask Making with Jen Angaiak Wood
  • Thursday, April 21st – 7-8:30pm PST via Zoom
    Teatime with Timea Tihanyi
    Conversation topic: Object Permanence: Craft in the Digital Age

Memorial Day (Commission) – Origin Story

collaboration, creativity, inspiration, Narrative, Origin story, process, Story, Works In Progress
This Spring, I received a captivating commission request. Chris Weber and Jack Gingrich were long-time employees and soon-to-be co-owners of The Herbfarm, a restaurant that creates thematic 9-course dinners showcasing the exceptional seasonal food and wines of the Pacific Northwest.

In his initial email, Chris shared The Herbfarm’s compelling origin story. Theirs is an inter-generational story of hope, ambition, success, tragedy, resilience, and grace. At its essence, this painting would be about inheritance and legacy ~ my creative core. As I read it, I could clearly see how every layer of this painting could correspond to a chapter in The Herbfarm’s life.


On our site visit, a few more things came into focus. The decor of the restaurant is formal Victorian, which is not in my artistic wheelhouse. Having an abstract piece was going to be a departure, so I wanted to keep it simple, organic and elegant. I wanted the painting to feel like a weathered, textured rock face you might encounter on a hike. Against the dark walls, this statement piece would be mostly white and monochromatic. We decided on a diptych with a circle connecting the two halves, but wanted to make sure the two halves could also stand on their own. And mimicking the restaurant’s palette, I limited my paint palette to natural, earth-based pigments ~ ochres, umbers, saffron, indigo… 

 

The following process photos show the evolution of this painting. The captions are pulled from Chris’s initial email…but you can find a beautiful rendition of The Herbfarm’s history on their website.

The original owners, Carrie Van Dyck and Ron Zimmerman, started this restaurant in a plant nursery; Memorial Day 1986. 

 

 
It was built from the ground up…

 

The restaurant flourished…

 
…receiving national recognition and a dedicated cult following within a decade.