Art Magazine Article

Activism, article, creativity, Exhibition, inspiration, Narrative, Origin story, press, Print, process, Story

I am delighted to be included in the Summer issue of PublicDisplay.ART ~ Seattle’s only community-supported, arts-focused publication. What an honor to be in the company of so many artists I admire. And it’s the first time my art & story has been featured in print media!

You can find the magazine at 600+ local retailers, restaurants, cafes, galleries, bars and libraries around town. Or if you prefer, you can view the latest issue on their website: *******

PublicDisplay.ART is published by OneReel, the same organization that produces NW Folklife and Bumbershoot (among many other cultural events/projects year round).

 

 

Art Pages

Art Journal, creativity, Crush/Repeat, Gallery, inspiration, process

In March, I participated in Crush/Repeat, a 31-day challenge to create something every day. I decided to focus on creating a small painting in my sketchbook daily.  And now I can’t stop!

I could line a shelf with all the sketchbooks I’ve abandoned after a couple pages of tentative marks. So I pulled out my smallest (5.5″x8.5″), cheapest sketchbook  and let go of any expectation to produce anything finished. My only goal was to show up & play ~ experimenting with colors, materials and techniques. The lessons learned from these bold little explorations are starting to show up in my larger paintings.

Starting my days by writing in my journal, followed by a 20 minute art page, loosens me up and gets me in the zone. I am no longer tethered to needing a full day in the studio to feel like I got my creativity fix. If 20 minutes is all I have, I know it will be enough. 🤠

(I’m grateful to my friend, Helen Kim, for showing me the way of her morning pages.)

 

Making Peace with Uncertainty

creativity, process, Speaking

I had the joy of talking with a dear friend the other day on her podcast (more info soon!) And as it often does, our conversation sparked further thoughts and ideas. So I’m trying something new. I will be posting short videos ~ a parking lot of thoughts/ideas about art and life, and why creativity (in its myriad of forms) matters…

Chateau Orquevaux

collaboration, creativity, inspiration, process, Residency

Day One

Three weeks after returning from France, I’m finally sitting down to reflect on this residency experience and the profound impact it has made on my art practice and my life.

I spent the month of September at Chateau Orquevaux in France with 17 other artists. We’re writers, painters, collage artists, photographers, builders and makers from Iran, India, Ukraine, Russia, El Salvador, Canada, and the US. All but 2 were there for the full 4 weeks. The setting was sublime.  Every resident had a private room and private studio.  Just imagine waking up to this view every morning!

View from my bed(!!!)

View from my bed (!!!)


I lucked out by also having an en suite bathroom (shhh!!) and a private bath. And here’s the kicker ~ all meals were provided. There was never a shortage of food. Or wine. Or coffee…

Classically trained Chef Marie brings the joy every single night, providing numerous menu options to accommodate everyone’s dietary needs.


Especially as a mom, having all my needs met, having nowhere else and no one else I needed to be, nothing else I needed to be doing but diving deep and creatively exploring was life changing. 

The Stables. My studio = carriage doors on the left.

My studio was in the stables, just down the driveway from the Chateau. As someone with a home studio, this ritual of walking to my work space was new to me. I came to appreciate this short commute between where I live and where I create. This distance gave me the privacy I needed to release the pressure valve and finally explore matters I’d been avoiding. With no to-do lists cluttering my mind, my journal pages were filling with hopes, dreams, and fears that needed a wide expanse of time and space to surface. 

Then, with my heart wide open and vulnerable, I would head into the studio. Instead of listening to podcasts, as per usual, I listened to music. Following a tip from my writer friend Jonathon, when I found a song that resonated with the emotional space I was in (or wanted to be in), I added it to my ChateauO playlist and put it on repeat. And wow, did that open doors I wasn’t ready for. My thinky brain was no longer in command of my creative process. All I could do was paint my way through my feelings…which was one of my creative goals.

Rise & Shine, Acrylic & oil on 30″x 40″ linen canvas.


At this point, I could write about the work I made, the breakthrough pieces, my choice of medium and materials. And maybe I will in another post. But here’s the honest truth. I was ready to show up and make a lot of work. I was prepared to push myself to go deeper. I was looking forward to luxe accommodations and exploring the grounds and the town.

But what blindsided me was the degree to which I would fall in love with my fellow residents. After 2+ years of being an isolated pod person, I felt socially awkward and dreaded having to engage with strangers for 4 weeks. Luckily from what I could tell, socializing was limited to dinners and sporadic evening events.

Chateau Orquevaux ~ September 2022 Residents

I never imagined a gathering of such talented, brilliant, wickedly funny people. We laughed, danced, sang, cried, explored, told stories, bore witness, made art, played dress up, took chances, and bared our souls. My final Instagram reel contains no images of the mountains of art we made. Just photos of people falling in love, making memories that will last a lifetime.  All in the span of 28 days.

 
 
 
 
 
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A post shared by eliaichi kimaro (@elikimaro)

 

Upcoming Solo Show!

Art For Sale, creativity, Exhibition, Gallery

What a dream ~ my first solo gallery show!!! I am delighted to share that Scarlet Ibis Gallery will be exhibiting my work this November and December.

This will be the debut of the Stacks series I painted this summer ~ wonky, colorful stacks of all sizes to brighten our dark winter months.

Scarlet Ibis Gallery is located in a brilliant yellow building which was built in 1929 to house the Station Master for the railroad.

Opening reception will be Saturday, November 12 from 5-8pm, as part of Georgetown Art Attack.

If you’re in the neighborhood, please stop by. Would love to see you there!! 😃

Residency Goals

creativity, inspiration, Narrative, process, Residency, Story

I have the good fortune of spending the month of September at an international artist residency in the Champagne region in France. Chateau Orquevaux offers 2- and 4- week residencies to artists of all disciplines from around the world. This will be my first experience at an international residency.

As I close down my studio and pack my bags, I have a few goals in mind:

1. I will leave my oil and encaustic paints at home, and instead travel with acrylic paints, charcoal, ink, watercolor, crayons. And I want to work on paper so that I can pack all my work in my backpack and suitcases when I come home. Travel light. Keep it simple.

2. When COVID shut the world down, I took advantage of the increased access I had to teachers/mentors. When they went online with their course offerings, I was right there, ready to soak up their teachings. So the past 2 years for me has been a period of intensive learning about color, value, design, texture, best studio practices ~ just arming myself with knowledge to expand and deepen my ability to paint and see.

But the more I learned, the harder it became to paint instinctively. My brain became a bully, taking command of the creative process. All my choices became conscious, calculated decisions. I was thrilled to discover that I could apply what I know to resolve my painting at any stage ~ especially those early stages with fresh, energetic marks. The flipside was that I grew precious about my work, fearful about letting go and trusting that something better would emerge. As a result, my paintings ~ which used to be 20-30 layers deep ~ became very surface and shallow.

So my goal now is to find my way back to how I used to paint. I need to trust that all my learning is there and accessible if/when I need it. But I don’t want to lead with my head any more. I want to return to using my gut as my guide to painting my truth.

Belonging ~ Origin Story

creativity, Narrative, Origin story, process, Works In Progress

Belonging (2021)
Collaged transcripts, oil & cold wax medium on wood panel
36″x 60″

The daily writing practice I started when I was 7 has become the creative cornerstone of my life. Writing makes my subconscious conscious—it is my key to mining the stories I’ve inherited about who I am and where I come from. Then I head into my studio to make sense of what I have just unearthed. The act of creating shows me where I stand in the flow between cultural inheritance and legacy.

Family stories form the foundation of this painting…

June 28, 2021: A new piece has me burrowing back in to the family stories I collected for my film, A Lot Like You. I’m cutting up transcripts of stories told to me by my family on Mt. Kilimanjaro, and gluing them onto a 36″x60″ wood panel. Even in paper form, my Aunts’ stories are arresting. What a gift that time was. 17 years later, I’m still feeling the ripple effects of our conversation in the hut. (I tell the story of our time together in my 2016 TEDxSeattle talk, Why the World Needs Your Story.)

June 28, 2021 (end of day): Record breaking 110° in the studio today. Foundation laid. 15 square feet of transcripts. Calling it a day. Going to melt into a G&T!

July 13, 2021: Laying down some warm tones over the collaged transcripts ~ the first of many layers to come. I expect this painting to be a slow and steady build over the coming weeks.

July 14, 2021: Next layer on the 36″x60″ transcript painting…

July 19, 2021: Can’t stop laughing at this guy! No time to paint the last 4 days, so my starting layers totally dried. Time to start again. It’s way too early to be precious about any of this. So I get to start the day scribbling, doodling, writing, painting with colors I don’t usually use to reactivate the surface. Getting this piece from 0 to 60 so I can cruise into the week ahead…

Lost In Composition – interview

Activism, collaboration, creativity, family, Film, Narrative, Origin story, process, Story

I’m so grateful to art collector Paul Drinkwine for inviting me to partake in his project, Lost In Composition, “an art blog focusing on living artists and their works.” What a gift, to have this growing record of folks making art in our region at this moment in time.

Our conversation covered a 30 year span ~ starting with my activism, then moving through my work in film, photography, parenting, and finally visual art. What a rare treat to have this much time and space to reflect on my life and creative journey!

Paul created this dedicated page for our conversation which includes his reflections, images of work we discussed, and links to other artists mentioned in our conversation.

I look forward to seeing who he selects for future episodes…

 

 

Winter/Spring Art News…

Art For Sale, collaboration, creativity, education, Exhibition, Gallery, inspiration, Narrative, Origin story, process, Speaking, Story

Just published my Newsletter with updates on 1) creative collaborations with filmmakers, authors, musicians & chefs, 2) my foray into teaching, and 3) shows in venues around town.

You can click the Subscribe button at the top of the page if you would like receive my newsletters (I send out 2-3 a year).

Composing a Life” – Acrylic mixed media on 24″x 24″ wood shipping panel.

 

Memorial Day (Commission) – Origin Story

collaboration, creativity, inspiration, Narrative, Origin story, process, Story, Works In Progress
This Spring, I received a captivating commission request. Chris Weber and Jack Gingrich were long-time employees and soon-to-be co-owners of The Herbfarm, a restaurant that creates thematic 9-course dinners showcasing the exceptional seasonal food and wines of the Pacific Northwest.

In his initial email, Chris shared The Herbfarm’s compelling origin story. Theirs is an inter-generational story of hope, ambition, success, tragedy, resilience, and grace. At its essence, this painting would be about inheritance and legacy ~ my creative core. As I read it, I could clearly see how every layer of this painting could correspond to a chapter in The Herbfarm’s life.


On our site visit, a few more things came into focus. The decor of the restaurant is formal Victorian, which is not in my artistic wheelhouse. Having an abstract piece was going to be a departure, so I wanted to keep it simple, organic and elegant. I wanted the painting to feel like a weathered, textured rock face you might encounter on a hike. Against the dark walls, this statement piece would be mostly white and monochromatic. We decided on a diptych with a circle connecting the two halves, but wanted to make sure the two halves could also stand on their own. And mimicking the restaurant’s palette, I limited my paint palette to natural, earth-based pigments ~ ochres, umbers, saffron, indigo… 

 

The following process photos show the evolution of this painting. The captions are pulled from Chris’s initial email…but you can find a beautiful rendition of The Herbfarm’s history on their website.

The original owners, Carrie Van Dyck and Ron Zimmerman, started this restaurant in a plant nursery; Memorial Day 1986. 

 

 
It was built from the ground up…

 

The restaurant flourished…

 
…receiving national recognition and a dedicated cult following within a decade.