Art Pages

Art Journal, creativity, Crush/Repeat, Gallery, inspiration, process

In March, I participated in Crush/Repeat, a 31-day challenge to create something every day. I decided to focus on creating a small painting in my sketchbook daily.  And now I can’t stop!

I could line a shelf with all the sketchbooks I’ve abandoned after a couple pages of tentative marks. So I pulled out my smallest (5.5″x8.5″), cheapest sketchbook  and let go of any expectation to produce anything finished. My only goal was to show up & play ~ experimenting with colors, materials and techniques. The lessons learned from these bold little explorations are starting to show up in my larger paintings.

Starting my days by writing in my journal, followed by a 20 minute art page, loosens me up and gets me in the zone. I am no longer tethered to needing a full day in the studio to feel like I got my creativity fix. If 20 minutes is all I have, I know it will be enough. 🤠

(I’m grateful to my friend, Helen Kim, for showing me the way of her morning pages.)

 

Chateau Orquevaux

collaboration, creativity, inspiration, process, Residency

Day One

Three weeks after returning from France, I’m finally sitting down to reflect on this residency experience and the profound impact it has made on my art practice and my life.

I spent the month of September at Chateau Orquevaux in France with 17 other artists. We’re writers, painters, collage artists, photographers, builders and makers from Iran, India, Ukraine, Russia, El Salvador, Canada, and the US. All but 2 were there for the full 4 weeks. The setting was sublime.  Every resident had a private room and private studio.  Just imagine waking up to this view every morning!

View from my bed(!!!)

View from my bed (!!!)


I lucked out by also having an en suite bathroom (shhh!!) and a private bath. And here’s the kicker ~ all meals were provided. There was never a shortage of food. Or wine. Or coffee…

Classically trained Chef Marie brings the joy every single night, providing numerous menu options to accommodate everyone’s dietary needs.


Especially as a mom, having all my needs met, having nowhere else and no one else I needed to be, nothing else I needed to be doing but diving deep and creatively exploring was life changing. 

The Stables. My studio = carriage doors on the left.

My studio was in the stables, just down the driveway from the Chateau. As someone with a home studio, this ritual of walking to my work space was new to me. I came to appreciate this short commute between where I live and where I create. This distance gave me the privacy I needed to release the pressure valve and finally explore matters I’d been avoiding. With no to-do lists cluttering my mind, my journal pages were filling with hopes, dreams, and fears that needed a wide expanse of time and space to surface. 

Then, with my heart wide open and vulnerable, I would head into the studio. Instead of listening to podcasts, as per usual, I listened to music. Following a tip from my writer friend Jonathon, when I found a song that resonated with the emotional space I was in (or wanted to be in), I added it to my ChateauO playlist and put it on repeat. And wow, did that open doors I wasn’t ready for. My thinky brain was no longer in command of my creative process. All I could do was paint my way through my feelings…which was one of my creative goals.

Rise & Shine, Acrylic & oil on 30″x 40″ linen canvas.


At this point, I could write about the work I made, the breakthrough pieces, my choice of medium and materials. And maybe I will in another post. But here’s the honest truth. I was ready to show up and make a lot of work. I was prepared to push myself to go deeper. I was looking forward to luxe accommodations and exploring the grounds and the town.

But what blindsided me was the degree to which I would fall in love with my fellow residents. After 2+ years of being an isolated pod person, I felt socially awkward and dreaded having to engage with strangers for 4 weeks. Luckily from what I could tell, socializing was limited to dinners and sporadic evening events.

Chateau Orquevaux ~ September 2022 Residents

I never imagined a gathering of such talented, brilliant, wickedly funny people. We laughed, danced, sang, cried, explored, told stories, bore witness, made art, played dress up, took chances, and bared our souls. My final Instagram reel contains no images of the mountains of art we made. Just photos of people falling in love, making memories that will last a lifetime.  All in the span of 28 days.

 
 
 
 
 
View this post on Instagram
 
 
 
 
 
 
 
 
 
 
 

A post shared by eliaichi kimaro (@elikimaro)

 

Winter/Spring Art News…

Art For Sale, collaboration, creativity, education, Exhibition, Gallery, inspiration, Narrative, Origin story, process, Speaking, Story

Just published my Newsletter with updates on 1) creative collaborations with filmmakers, authors, musicians & chefs, 2) my foray into teaching, and 3) shows in venues around town.

You can click the Subscribe button at the top of the page if you would like receive my newsletters (I send out 2-3 a year).

Composing a Life” – Acrylic mixed media on 24″x 24″ wood shipping panel.

 

Thoughts on Inspiration

creativity, education, inspiration, process, Story

My dear friend Carolyn Autenrieth asked fellow artist friends to reflect on the role of inspiration in their work for her high school art class. So I wrote out some ideas in my journal this morning. While this may be too long for what she’s needing, it’s the perfect length for a blog post.

wp-15885480053935629783296233777588.jpg

A few weeks ago, I made this inspiration board on my phone ~ a visual reminder of things that I find beautiful. The images could be of anything, not necessarily art.

I took screen shots of my Pinterest boards and wrote down words that inspire me. What do I love? What are ideas, objects, symbols, activities, places, hobbies that make me feel alive? It could be anything that makes me feel the whole hearted joy of my daughter in this picture. Seeing these images and words together, I started to notice common themes, in terms of colors, ideas, textures, and design elements that I’m drawn to.

So pay attention to your attention, because it’s trying to tell you something. There’s something here that you love. What is it? What’s with all the doors? Why do I love rust so much? Why do I feel drawn to the textures and design found in nature. Sometimes the answers are obvious. Sometimes I don’t discover until much later why I find the texture of tree bark or aerial landscapes so compelling.

Some people might not see the beauty in these images…but to me, they’re exquisite! I want to make art that makes me feel the way I feel when I look at my board. This is what inspires me. And when I’m inspired, I feel creative…and the work starts flowing.

It all begins with inspiration.

The whole goal of art is to create something that is unique to you. So your job as an artist is to get really clear about what you love and why. From there, making art is just a series of Yes/No decisions. When you’re clear about what inspires you, it will come across in your work. And people will be able to feel it. Even if they don’t personally find rusty doors beautiful, they will feel my love of the door coming through in the painting. And that, to me, is the beauty and power of art.

Creating this inspiration board made me deeply consider what I find beautiful. And then, I set it aside. The next day, I pulled out some paper and just decided to paint something that brings me joy. I had no plan, no end goal in mind.

A couple hours later, this painting emerged. And I could clearly see elements from my board coming through.

Custodian of the World Within

So…

Notice what brings you joy.

Get clear about what you love, and why.

Make art that makes your heart sing.

Remember that inspiration is everywhere.

Artist Statement

Exhibition, Gallery, Narrative, Story, Works In Progress

Eliaichi Kimaro

WEATHERED & WORN
Solo show

20190430_160723-01

Of the 40+ paintings in my upcoming solo show, 25 are new and exhibiting for the first time.

Weathered and Worn will be part of West Seattle Art Walk in May and June.
The exhibit will be up through the month of June.

NORTHWEST ENCAUSTIC
7150 44th Ave SW., Seattle 98136
OPENING RECEPTION
MAY 9, 2019
6-9pm

ARTIST RECEPTION
JUNE 13, 2019
6-9pm

Artist Statement (excerpt)

…This body of work hangs together loosely.  To me, they are more about the process, the journey of becoming.  They evoke the layered narratives that we all carry—as individuals in this present moment, and as the embodiment of our ancestors’ stories spanning generations and continents.   They represent new directions I am taking as an artist — using mark-making, texture, cold wax medium and organic materials to tell a story.  Some of these pieces came into being fully-formed.  Some were labors of love, with 2 or 3 completely different paintings existing beneath the surface.

While I am excited to share these paintings in their current incarnations, some of them will be radically transformed – melted, scraped down, carved into, painted over—when they return to my studio.  But as a lover of process, I believe that even our work-in-progress selves deserve an occasional spotlight…to be seen, witnessed and considered in our current state of being…and becoming.

The Stories We Inherit

Film, Installation, Origin story, Story, Works In Progress

Backstory:  Couple months ago, a friend invited me to create a piece for a project she’s working on about dimensional wax pieces. While most of my encaustic paintings are textured and could be considered “dimensional,” I really wanted to push myself to get off the wood panel and see what I could create in 3D space. She asked for a piece that reflected the themes of cultural inheritance and legacy I explored in my film, A Lot Like You.

This prompt reminded me that in April 2018, I pulled out the transcripts of family stories I collected for my film — and, with no clear end goal in mind, I started cutting up and inking the shredded transcripts…trusting that they would some day find their way into a piece…

4/17/18 – These interviews I transcribed with my family elders on Kilimanjaro were the heart of my film. Even on the page, my Aunts’ stories are arresting. Now these transcripts will form the foundation of my next piece…

 

4/20/18 – As an encaustic artist, it’s rare that I can work on an art piece outside my studio. so I’m relishing being able to ink the shredded paper wherever I please. Especially on a day like today when I’m feeling pretty lousy, I can binge watch Theaster Gates & Andy Goldsworthy docs while reclining on our sofa, wrapped in a cozy blanket and sipping coffee.

 

4/20/18 – End of Day 3…inking each piece by hand is a slow and meditative process. 7 hours straight today. Time to switch gears and walk the dog!

 

FAST FORWARD TO 2019…

2/14/19 – …and now, for something completely different!! Spent the past 2hrs cleaning the studio, getting ready to work with encaustic, paper, wire and fabric. Won’t have anything finished to show for the next few weeks…but i’ll be posting detail shots of this piece in progress. (just for the record, i have Absolutely No Idea where this is going. i’m just committing to experimenting with 3D play.) 🙂

 

 

2/14/19 – The motif of yesterday’s painting of chain links takes root as I finally find a use for the shredded transcripts of family interviews that I inked last year.  While I don’t have much experience constructing dimensional pieces–I do remember making paper chains in grade school…

 

2/15/19 – Spending all day making encaustic paper chains out of shredded family transcripts. 5hrs down, 4hrs to go…

 

2/21/19 – I started the day making strands of orange & red, but then decided to limit my palette to colors of the Tanzanian flag — fitting since these paper chains are made from shredded transcripts of interviews with the Tanzanian side of my family. So now I’m focusing my efforts on blues, greens, yellows. Onward!

 

2/25/19 – All day, today & tomorrow, I’ll be 1) coating transcript strips with encaustic medium on the hot plate to 2) make links, then 3) gluing them into chains. Podcast playlist is packed, headphones are fully charged. Here we go…♡

3/1/19 – Much gratitude and love to my friend Connie for coming over this morning to help me create an alginate mold of my face.

 

3/1/19 – Been obsessively scraping and cleaning up this piece with my pottery & dental tools for 4 hours straight. SO satisfying! But it’s time to step away, and return with fresh eyes tomorrow to check out my handiwork in the light of day…

 

3/4/19 – As I experiment with making an encaustic cast of my face, I’m struck by how much the wax-filled mold looks like an oyster shell…🌊

 

3/5/19 – Turned out, and cleaned up, the encaustic cast of my face. The verdict is still out re: how I feel about it. It’s getting a bit weird (and eerie), having disembodied faces on my work table. Here’s hoping I can turn them into something beautiful!

 

I made this short video about the “source material” for these paper chains – shredded transcripts of the family stories I gathered while filming on Mt. Kilimanjaro in 2003.

 

3/19/19 – Working on the bottom half of my dimensional encaustic piece today — arranging the wax/paper chain in (what I hope will be) an ascending spiral!🤞🏽

 

3/26/19 – Spending the day weaving twigs to form the interior walls of the Chagga hut that will surround the wax mask…♡ Wood up top, paper below.

 

3/28/19 – Yesterday was a “2steps forward/1step back” kind of day. This is the challenge and the thrill of #LearningByDoing . Even tho I had to undo a lot of my work, no effort was lost. Each go-around leaves a trace of story that will be seen and felt in the final piece. Every turn is worth the effort.

 

3/28/2019 – #TBT2004 to filming in my father’s Chagga hut on Mt. Kilimanjaro. Fast forward 15 years, different medium, same story (exploring my cultural inheritance and legacy). Spent today finishing the woodwork that, for me, is reminiscent of the interior of our hut.♡

 

3/29/19 – The Stories We Inherit (72″x 12″x 11″) – Wax, wood, wire, and paper. Calling this piece done…for now…at least in its current iteration. You know how it goes.

 

Nine Elephants – Origin Story

Exhibition, Narrative, Origin story, Story, Works In Progress

Backstory:  Twenty years ago, I was reeling from the upheaval of my Saturn returns. So I rented a beach cabin and spent 4 days in silent meditation, writing about what values I wanted to guide my life choices.

photo by Zorn B. Taylor

I came away from that retreat having whittled my list down to nine values…values that my spirit animal exemplifies. I got a tattoo of 9elephants as a reminder of the Being I aspired to be.

The theme of 9elephants has since informed my activism and filmmaking. It’s the name of my production company. These values formed the cornerstone of our wedding vows 16 years ago, and the foundation of my parenting principles 11 years ago. And so I suppose it was just a matter of time before this recurring theme manifested in art form…

 

5/8/18 – Starting my new biggie piece (36″²) while watching Hari Kondabolu’s Netflix special that dropped today!!! Wood glue burn of my Chagga nickname written in Korean — which will hint at land masses in the final piece. The paint palette will simply be the colors of the Tanzanian flag.  And so it begins, again…

 

5/8/18 – End of Day 1: I’ve been having WAY too much fun painting a background watercolor.  Most of this will be obscured when this is all done. But I am a big believer that all the energy, attention and intention I pour into each layer will be felt in the final piece. The beauty is in the making…

 

 5/12/18 – Saturday morning, added layers of encaustic and oils to this Biggie piece today. Reminds me of Tanzanian kitenge cloth.

 

5/18/18 – After putting this painting in Time Out for a week, I had a huge AHA! moment while writing this morning. My way forward with piece suddenly became clear. And now, instead of playing hookie today like I’d planned, I am completely Obsessed with bringing my vision to life!!! Folks who’ve known me a while can probably see where this piece is going…

Shine On!

#NoPanelLeftBehind, Exhibition, Narrative, Origin story, Works In Progress

Every painting has an origin story.  My initial vision for this blog was to show the evolution of pieces, from start to finish.  (If I could, I would name my blog, “The Journey Is Everything.”)  You can track the progress of all my pieces on my Instagram feed.

Here is the origin story of Shine On – my rusty sunflower piece, which has taken on many forms over the past year…

8/12/17 – Wrote out my morning meditation on engaged, contemplative imagination. #BeginAgain

 

8/14/17 – Morning Meditation (final).  For my COCA Residency, I took this 24″x24″ white painting, and brought it to life in a 90″x 90″ 3D installation ~ The Truth Has No Borders.  This shipping container installation combined 40 years of work in writing, music, film and art into a single exhibit examining identity, family, culture and migration.

 

2/10/18 – I lied earlier when I posted the white painting, Morning Meditation, and said it was my “Final” layer. The following week, I was bored to death of it. So I taped it back up, and went back to work.

 

2/12/18 – Shoreline. Came downstairs to find the kid laying out wax scraps on my painting, telling me it needed more texture. So I spent the day fusing the wax scraps onto the painting, and adding silver leaf.

 

7/19/18 – And now, for something completely different.  I scraped and torched the Shoreline piece all the way down to the panel. 🔥🤩  The free write on the base of this panel was suffocating under the layers of valiant, earnest effort. Now it (and I) can finally breathe again.#BlowtorchTherapy #NoPanelLeftBehind #BeginAgain

 

7/31/18 – Today I return to a mostly empty studio, and start the day by making sunflower seeds ~a perfect meditation for beginning again.

 

8/1/18 – Got my first coat of rust on the sunflower seeds.

 

8/2/18 – Conquering fears today about not being able to draw by just painting these petals on free hand. More coats to follow. 😅 (I needed some way to pass time while the second coat of rust dried on the sunflower seeds!)

 

10/16/18Shine On! Applying new knowledge about color mixing to this piece, which is vying for a spot in pop-up exhibit/talk next week (“My Life in 24 Frames“, 10/23 at 6pm, Columbia City Gallery).

 

West Seattle Art Walk

Exhibition

Framed my first piece today, then dropped it off at the studio.  I’m excited to part of this student exhibit, showcasing a diverse array of work by artists who have taken classes at Northwest Encaustic Studio.  If you’re in West Seattle, I hope you’ll come by, and enjoy 3 floors of art as part of West Seattle’s Art Walk in July and August.

Violin_framed_SM

Northwest Encaustic
7150 44th Ave SW, Seattle, WA 98136
West Seattle Art Walk
July 13th & August 10th, 6-9pm