Chateau Orquevaux

collaboration, creativity, inspiration, process

Day One

Three weeks after returning from France, I’m finally sitting down to reflect on this residency experience and the profound impact it has made on my art practice and my life.

I spent the month of September at Chateau Orquevaux in France with 17 other artists. We’re writers, painters, collage artists, photographers, builders and makers from Iran, India, Ukraine, Russia, El Salvador, Canada, and the US. All but 2 were there for the full 4 weeks. The setting was sublime.  Every resident had a private room and private studio.  Just imagine waking up to this view every morning!

View from my bed(!!!)

View from my bed (!!!)


I lucked out by also having an en suite bathroom (shhh!!) and a private bath. And here’s the kicker ~ all meals were provided. There was never a shortage of food. Or wine. Or coffee…

Classically trained Chef Marie brings the joy every single night, providing numerous menu options to accommodate everyone’s dietary needs.


Especially as a mom, having all my needs met, having nowhere else and no one else I needed to be, nothing else I needed to be doing but diving deep and creatively exploring was life changing. 

The Stables. My studio = carriage doors on the left.

My studio was in the stables, just down the driveway from the Chateau. As someone with a home studio, this ritual of walking to my work space was new to me. I came to appreciate this short commute between where I live and where I create. This distance gave me the privacy I needed to release the pressure valve and finally explore matters I’d been avoiding. With no to-do lists cluttering my mind, my journal pages were filling with hopes, dreams, and fears that needed a wide expanse of time and space to surface. 

Then, with my heart wide open and vulnerable, I would head into the studio. Instead of listening to podcasts, as per usual, I listened to music. Following a tip from my writer friend Jonathon, when I found a song that resonated with the emotional space I was in (or wanted to be in), I added it to my ChateauO playlist and put it on repeat. And wow, did that open doors I wasn’t ready for. My thinky brain was no longer in command of my creative process. All I could do was paint my way through my feelings…which was one of my creative goals.

Rise & Shine, Acrylic & oil on 30″x 40″ linen canvas.


At this point, I could write about the work I made, the breakthrough pieces, my choice of medium and materials. And maybe I will in another post. But here’s the honest truth. I was ready to show up and make a lot of work. I was prepared to push myself to go deeper. I was looking forward to luxe accommodations and exploring the grounds and the town.

But what blindsided me was the degree to which I would fall in love with my fellow residents. After 2+ years of being an isolated pod person, I felt socially awkward and dreaded having to engage with strangers for 4 weeks. Luckily from what I could tell, socializing was limited to dinners and sporadic evening events.

Chateau Orquevaux ~ September 2022 Residents

I never imagined a gathering of such talented, brilliant, wickedly funny people. We laughed, danced, sang, cried, explored, told stories, bore witness, made art, played dress up, took chances, and bared our souls. My final Instagram reel contains no images of the mountains of art we made. Just photos of people falling in love, making memories that will last a lifetime.  All in the span of 28 days.

 
 
 
 
 
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A post shared by eliaichi kimaro (@elikimaro)

 

Upcoming Solo Show!

Art For Sale, creativity, Exhibition, Gallery

What a dream ~ my first solo gallery show!!! I am delighted to share that Scarlet Ibis Gallery will be exhibiting my work this November and December.

This will be the debut of the Stacks series I painted this summer ~ wonky, colorful stacks of all sizes to brighten our dark winter months.

Scarlet Ibis Gallery is located in a brilliant yellow building which was built in 1929 to house the Station Master for the railroad.

Opening reception will be Saturday, November 12 from 5-8pm, as part of Georgetown Art Attack.

If you’re in the neighborhood, please stop by. Would love to see you there!! 😃

Residency Goals

creativity, inspiration, Narrative, process, Story

I have the good fortune of spending the month of September at an international artist residency in the Champagne region in France. Chateau Orquevaux offers 2- and 4- week residencies to artists of all disciplines from around the world. This will be my first experience at an international residency.

As I close down my studio and pack my bags, I have a few goals in mind:

1. I will leave my oil and encaustic paints at home, and instead travel with acrylic paints, charcoal, ink, watercolor, crayons. And I want to work on paper so that I can pack all my work in my backpack and suitcases when I come home. Travel light. Keep it simple.

2. When COVID shut the world down, I took advantage of the increased access I had to teachers/mentors. When they went online with their course offerings, I was right there, ready to soak up their teachings. So the past 2 years for me has been a period of intensive learning about color, value, design, texture, best studio practices ~ just arming myself with knowledge to expand and deepen my ability to paint and see.

But the more I learned, the harder it became to paint instinctively. My brain became a bully, taking command of the creative process. All my choices became conscious, calculated decisions. I was thrilled to discover that I could apply what I know to resolve my painting at any stage ~ especially those early stages with fresh, energetic marks. The flipside was that I grew precious about my work, fearful about letting go and trusting that something better would emerge. As a result, my paintings ~ which used to be 20-30 layers deep ~ became very surface and shallow.

So my goal now is to find my way back to how I used to paint. I need to trust that all my learning is there and accessible if/when I need it. But I don’t want to lead with my head any more. I want to return to using my gut as my guide to painting my truth.

Upcoming Feature Show

Art For Sale, Exhibition, Gallery

The Seen & The Unseen World  –  60″x 36″ Acrylic mixed media on wood panel

I have been steeped in learning over the past few years, and am excited to share this new body of work. My latest series explores formal and informal grid compositions using a limited palette.

Just a Moment
Columbia City Gallery*
March 23 – May 8, 2022

Opening reception: Sat. March 26 from 5-7pm

Gallery Hours: Wednesday – Sunday, 11-6pm (or by appointment)
While this is my annual feature show,
Columbia City Gallery exhibits my work year round.

Come As You Are – 24″x 24″ Oil & cold wax on wood panel

Winter/Spring Art News…

Art For Sale, collaboration, creativity, education, Exhibition, Gallery, inspiration, Narrative, Origin story, process, Speaking, Story

Just published my Newsletter with updates on 1) creative collaborations with filmmakers, authors, musicians & chefs, 2) my foray into teaching, and 3) shows in venues around town.

You can click the Subscribe button at the top of the page if you would like receive my newsletters (I send out 2-3 a year).

Composing a Life” – Acrylic mixed media on 24″x 24″ wood shipping panel.

 

Memorial Day (Commission) – Origin Story

collaboration, creativity, inspiration, Narrative, Origin story, process, Story, Works In Progress
This Spring, I received a captivating commission request. Chris Weber and Jack Gingrich were long-time employees and soon-to-be co-owners of The Herbfarm, a restaurant that creates thematic 9-course dinners showcasing the exceptional seasonal food and wines of the Pacific Northwest.

In his initial email, Chris shared The Herbfarm’s compelling origin story. Theirs is an inter-generational story of hope, ambition, success, tragedy, resilience, and grace. At its essence, this painting would be about inheritance and legacy ~ my creative core. As I read it, I could clearly see how every layer of this painting could correspond to a chapter in The Herbfarm’s life.


On our site visit, a few more things came into focus. The decor of the restaurant is formal Victorian, which is not in my artistic wheelhouse. Having an abstract piece was going to be a departure, so I wanted to keep it simple, organic and elegant. I wanted the painting to feel like a weathered, textured rock face you might encounter on a hike. Against the dark walls, this statement piece would be mostly white and monochromatic. We decided on a diptych with a circle connecting the two halves, but wanted to make sure the two halves could also stand on their own. And mimicking the restaurant’s palette, I limited my paint palette to natural, earth-based pigments ~ ochres, umbers, saffron, indigo… 

 

The following process photos show the evolution of this painting. The captions are pulled from Chris’s initial email…but you can find a beautiful rendition of The Herbfarm’s history on their website.

The original owners, Carrie Van Dyck and Ron Zimmerman, started this restaurant in a plant nursery; Memorial Day 1986. 

 

 
It was built from the ground up…

 

The restaurant flourished…

 
…receiving national recognition and a dedicated cult following within a decade. 

 

 

 

When We Were One

Art For Sale, creativity, family, inspiration, Narrative, Origin story, Story

Everything I create is about exploring the stories I’ve inherited and the stories I’m passing down. I make art to better understand my place in this flow of cultural inheritance and legacy.

When I was pregnant, I had a book that gave weekly updates about the fetus development. I remember reading one week that if I was having a girl, my body was creating all the eggs she will ever carry.

Having worked for 12 years as a crisis counselor, and knowing what I know about inter-generational trauma, I didn’t take this news lightly. So I took that week off, and reflected on what it means to be creating descendants whom I may never meet.

When We Were One” deals specifically with this week, being pregnant with my daughter ~ and more expansively, considers the bloodlines that connect us all. 

Here is a short video where I reflect on what this piece means to me…

 

Thoughts on Inspiration

creativity, education, inspiration, process, Story

My dear friend Carolyn Autenrieth asked fellow artist friends to reflect on the role of inspiration in their work for her high school art class. So I wrote out some ideas in my journal this morning. While this may be too long for what she’s needing, it’s the perfect length for a blog post.

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A few weeks ago, I made this inspiration board on my phone ~ a visual reminder of things that I find beautiful. The images could be of anything, not necessarily art.

I took screen shots of my Pinterest boards and wrote down words that inspire me. What do I love? What are ideas, objects, symbols, activities, places, hobbies that make me feel alive? It could be anything that makes me feel the whole hearted joy of my daughter in this picture. Seeing these images and words together, I started to notice common themes, in terms of colors, ideas, textures, and design elements that I’m drawn to.

So pay attention to your attention, because it’s trying to tell you something. There’s something here that you love. What is it? What’s with all the doors? Why do I love rust so much? Why do I feel drawn to the textures and design found in nature. Sometimes the answers are obvious. Sometimes I don’t discover until much later why I find the texture of tree bark or aerial landscapes so compelling.

Some people might not see the beauty in these images…but to me, they’re exquisite! I want to make art that makes me feel the way I feel when I look at my board. This is what inspires me. And when I’m inspired, I feel creative…and the work starts flowing.

It all begins with inspiration.

The whole goal of art is to create something that is unique to you. So your job as an artist is to get really clear about what you love and why. From there, making art is just a series of Yes/No decisions. When you’re clear about what inspires you, it will come across in your work. And people will be able to feel it. Even if they don’t personally find rusty doors beautiful, they will feel my love of the door coming through in the painting. And that, to me, is the beauty and power of art.

Creating this inspiration board made me deeply consider what I find beautiful. And then, I set it aside. The next day, I pulled out some paper and just decided to paint something that brings me joy. I had no plan, no end goal in mind.

A couple hours later, this painting emerged. And I could clearly see elements from my board coming through.

Custodian of the World Within

So…

Notice what brings you joy.

Get clear about what you love, and why.

Make art that makes your heart sing.

Remember that inspiration is everywhere.

Art Sale for Food Lifeline

Activism, Art For Sale, Fundraiser
Thanks to everyone for your enthusiastic response to my Birthday Art Fundraiser!! I’m delighted to share that, thanks to the art you purchased and the matching program through Tom’s work, I was able to donate $600 to the COVID19 Artist Trust Relief Fund!!
 
Fueled by the success of this sale, I am inspired to raise funds another organization where my daughter and I volunteer. Food Lifeline (member of Feeding America) supplies food to 300 shelters, food pantries, and community meal programs across Western Washington. They provide 134,000 meals daily with 96% of their expenses going towards feeding people facing hunger.
 
So for this fundraiser, I’m selling my SOLO series.  They are original oil paintings on paper, matted in 11″x 14″ frames, as seen below.
 
– They are $125 apiece, or three for $300.
 
$30 from each sale will be donated to Food Lifeline$30 provides enough food to feed one family of four for 4 days.

*PLUS all donations will be matched through Tom’s work (Gilead Sciences), so your purchase will go twice as far!

– If you’re in the Seattle area, we can arrange a no-contact, in-person delivery. (Otherwise free shipping anywhere in the US).
 
 
What we get:
1) I get the joy of knowing my art is bringing color and joy to someone’s home.
 
2) You get an original painting to dress your walls, and the pleasure of knowing you’re supporting a living artist and a good cause.  At the end of the sale, I will send you a letter confirming the donation that was made on your behalf. 
 
3) By supporting Food Lifeline, we are helping to get food out to folks who need it most. 
 
As far as I can tell, this is a WIN-WIN-WIN. So happy browsing! If you see a piece you like, you can click on the purchase link in its caption.
 
And if these paintings aren’t your cup of tea, you can still donate here: https://foodlifeline.org/donatefunds/
 
Thank you kindly!
 

SOLO #7
https://checkout.square.site/buy/2YOG3S55CB26444NZCQDCPBR


SOLO #9
https://checkout.square.site/buy/TP65L7O2PSPD7PWE4PEXJH4Z



The Paths We Travel

Exhibition, family, Gallery, Narrative, Origin story, Story

Artist Statement

As a kid, I found it comforting to think about how wildly the universe had to conspire just so I could be here. I would lie in bed and think about all the serendipitous moments that had to happen just so my Tanzanian father and South Korean mother could meet, halfway around the world, and have me. I would think about the epic stories of love, betrayal, sacrifice, migration, survival ~ all the random encounters and deliberate life choices extending back generations that had to happen just so my parents could meet and have me.

And as I got older, made friends and met their families, I realized that everyone has stories that are epic in scope ~ even if their families have lived in the same town for generations.

Every one of us is the embodiment of the life stories of our parents, our grandparents, our ancestors. We carry their stories forward with us, whether we’re conscious of them or not. But make no mistake ~ we are all here because of these stories.

Making art is how I make sense of these stories I’ve inherited about who I am and where I come from…and the stories I’m now passing down. As a mother, I feel compelled to think about where I stand in this flow of cultural inheritance and legacy. These paintings reflect the internal and external landscapes that have been traversed just to reach this point where our paths could cross in this gallery, in this city, at this moment in time…

Currently on exhibit at
Columbia City Gallery (Seattle)
through Jan. 5, 2020.