Thoughts on Inspiration

creativity, education, inspiration, process, Story

My dear friend Carolyn Autenrieth asked fellow artist friends to reflect on the role of inspiration in their work for her high school art class. So I wrote out some ideas in my journal this morning. While this may be too long for what she’s needing, it’s the perfect length for a blog post.

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A few weeks ago, I made this inspiration board on my phone ~ a visual reminder of things that I find beautiful. The images could be of anything, not necessarily art.

I took screen shots of my Pinterest boards and wrote down words that inspire me. What do I love? What are ideas, objects, symbols, activities, places, hobbies that make me feel alive? It could be anything that makes me feel the whole hearted joy of my daughter in this picture. Seeing these images and words together, I started to notice common themes, in terms of colors, ideas, textures, and design elements that I’m drawn to.

So pay attention to your attention, because it’s trying to tell you something. There’s something here that you love. What is it? What’s with all the doors? Why do I love rust so much? Why do I feel drawn to the textures and design found in nature. Sometimes the answers are obvious. Sometimes I don’t discover until much later why I find the texture of tree bark or aerial landscapes so compelling.

Some people might not see the beauty in these images…but to me, they’re exquisite! I want to make art that makes me feel the way I feel when I look at my board. This is what inspires me. And when I’m inspired, I feel creative…and the work starts flowing.

It all begins with inspiration.

The whole goal of art is to create something that is unique to you. So your job as an artist is to get really clear about what you love and why. From there, making art is just a series of Yes/No decisions. When you’re clear about what inspires you, it will come across in your work. And people will be able to feel it. Even if they don’t personally find rusty doors beautiful, they will feel my love of the door coming through in the painting. And that, to me, is the beauty and power of art.

Creating this inspiration board made me deeply consider what I find beautiful. And then, I set it aside. The next day, I pulled out some paper and just decided to paint something that brings me joy. I had no plan, no end goal in mind.

A couple hours later, this painting emerged. And I could clearly see elements from my board coming through.

Custodian of the World Within

So…

Notice what brings you joy.

Get clear about what you love, and why.

Make art that makes your heart sing.

Remember that inspiration is everywhere.

Birthday Art Fundraiser

Activism, Art For Sale, Fundraiser

Dearest friends,

As we round the corner to my birthday week, I’ve been thinking about ways to ease the suffering and share the joy. So I’m trying an experiment…a Birthday Art Fundraiser.

Here’s how it works:

– All the works below are original oil paintings on paper, matted and framed as seen in the first picture below.

– They are all selling for $225.

– $150 from each sale will be donated to the COVID 19 Artist Trust Relief Fund.

– This art sale will run through Friday, April 10 at 11:59pm.

– If you’re in the Seattle area, we can arrange a no contact, in person delivery. (Otherwise free shipping anywhere in the US.)

What we get:

1) I get the joy of knowing my art is living on and bringing joy (Best Birthday Gift Ever!!!)

2) You get an original piece of art to dress your walls, and that whole hearted feeling of knowing you’re supporting a living artist and a good cause.

3) Artists everywhere will feel the love through the emergency relief efforts of Artist Trust, an organization I hold in high regard.

So…what say ye?? Dress your walls! Celebrate my birthday with me!🎈

All the pieces are matted and in black frames as seen here, flanking the bigger piece 🙂

The Paths We Travel

Exhibition, family, Gallery, Narrative, Origin story, Story

Artist Statement

As a kid, I found it comforting to think about how wildly the universe had to conspire just so I could be here. I would lie in bed and think about all the serendipitous moments that had to happen just so my Tanzanian father and South Korean mother could meet, halfway around the world, and have me. I would think about the epic stories of love, betrayal, sacrifice, migration, survival ~ all the random encounters and deliberate life choices extending back generations that had to happen just so my parents could meet and have me.

And as I got older, made friends and met their families, I realized that everyone has stories that are epic in scope ~ even if their families have lived in the same town for generations.

Every one of us is the embodiment of the life stories of our parents, our grandparents, our ancestors. We carry their stories forward with us, whether we’re conscious of them or not. But make no mistake ~ we are all here because of these stories.

Making art is how I make sense of these stories I’ve inherited about who I am and where I come from…and the stories I’m now passing down. As a mother, I feel compelled to think about where I stand in this flow of cultural inheritance and legacy. These paintings reflect the internal and external landscapes that have been traversed just to reach this point where our paths could cross in this gallery, in this city, at this moment in time…

Currently on exhibit at
Columbia City Gallery (Seattle)
through Jan. 5, 2020.

The many faces of “Broadstairs” (Origin story)

#NoPanelLeftBehind, Exhibition, Narrative, Origin story, Story, Works In Progress

One painting, from start to finish, in 768 days…

This 24″x 24″ painting has undergone a surprising number of transformations before finally settling on the Broadstairs piece currently exhibiting at Northwest Encaustics. As one of the more epic #NoPanelLeftBehind pieces, I decided to trace Broadstairs back to its origins, and offer snapshots of its evolution over the past 2 years…

March 13, 2017

Most of my pieces begin with writing…whether it be part of a journal entry, passage from a book, lyric, poem. The base layers here also includes wood glue burn, yellow india ink, and several clear coats of encaustic medium.

March 13, 2017

School’s out, which means my studio assistant is on hand to scrape back the layers. Always happy to let the kid loose on my paintings. I consider this a good return on my investment.😉

Artist Statement

Exhibition, Gallery, Narrative, Story, Works In Progress

Eliaichi Kimaro

WEATHERED & WORN
Solo show

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Of the 40+ paintings in my upcoming solo show, 25 are new and exhibiting for the first time.

Weathered and Worn will be part of West Seattle Art Walk in May and June.
The exhibit will be up through the month of June.

NORTHWEST ENCAUSTIC
7150 44th Ave SW., Seattle 98136
OPENING RECEPTION
MAY 9, 2019
6-9pm

ARTIST RECEPTION
JUNE 13, 2019
6-9pm

Artist Statement (excerpt)

…This body of work hangs together loosely.  To me, they are more about the process, the journey of becoming.  They evoke the layered narratives that we all carry—as individuals in this present moment, and as the embodiment of our ancestors’ stories spanning generations and continents.   They represent new directions I am taking as an artist — using mark-making, texture, cold wax medium and organic materials to tell a story.  Some of these pieces came into being fully-formed.  Some were labors of love, with 2 or 3 completely different paintings existing beneath the surface.

While I am excited to share these paintings in their current incarnations, some of them will be radically transformed – melted, scraped down, carved into, painted over—when they return to my studio.  But as a lover of process, I believe that even our work-in-progress selves deserve an occasional spotlight…to be seen, witnessed and considered in our current state of being…and becoming.

weathered & worn (solo show)

Exhibition, Gallery

“Practice Joy” (36″×48″) is one of many new pieces making their debut at the ‘Weathered & Worn’ exhibit.

So excited to announce My First SOLO Show!!!!

5 years ago, I took my first art class (since 4th grade) at Northwest Encaustic. With no formal art school training to account for, I had little to prove…just a whole lot to gain. The teachers fueled my curiosity while expanding my creative toolbox. And their generosity afforded me a whole new language to explore and share my stories.

I am who I am as an artist because of this studio/gallery. So this feels like the perfect location for my first ever solo show!  “Weathered and Worn” will be part of West Seattle Art Walk in May and June.  The exhibit will be up through the month of June.

NORTHWEST ENCAUSTIC
7150 44th Ave SW., Seattle 98136

OPENING RECEPTION
MAY 9, 2019
6-9pm

ARTIST RECEPTION
JUNE 13, 2019
6-9pm

*P.S. At the receptions, I will have ~40 original paintings available between $150-$250.

**P.P.S.  I  r e a l l y  hope you can join me for this!!!!

 

 

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The Stories We Inherit

Film, Installation, Origin story, Story, Works In Progress

Backstory:  Couple months ago, a friend invited me to create a piece for a project she’s working on about dimensional wax pieces. While most of my encaustic paintings are textured and could be considered “dimensional,” I really wanted to push myself to get off the wood panel and see what I could create in 3D space. She asked for a piece that reflected the themes of cultural inheritance and legacy I explored in my film, A Lot Like You.

This prompt reminded me that in April 2018, I pulled out the transcripts of family stories I collected for my film — and, with no clear end goal in mind, I started cutting up and inking the shredded transcripts…trusting that they would some day find their way into a piece…

4/17/18 – These interviews I transcribed with my family elders on Kilimanjaro were the heart of my film. Even on the page, my Aunts’ stories are arresting. Now these transcripts will form the foundation of my next piece…

 

4/20/18 – As an encaustic artist, it’s rare that I can work on an art piece outside my studio. so I’m relishing being able to ink the shredded paper wherever I please. Especially on a day like today when I’m feeling pretty lousy, I can binge watch Theaster Gates & Andy Goldsworthy docs while reclining on our sofa, wrapped in a cozy blanket and sipping coffee.

 

4/20/18 – End of Day 3…inking each piece by hand is a slow and meditative process. 7 hours straight today. Time to switch gears and walk the dog!

 

FAST FORWARD TO 2019…

2/14/19 – …and now, for something completely different!! Spent the past 2hrs cleaning the studio, getting ready to work with encaustic, paper, wire and fabric. Won’t have anything finished to show for the next few weeks…but i’ll be posting detail shots of this piece in progress. (just for the record, i have Absolutely No Idea where this is going. i’m just committing to experimenting with 3D play.) 🙂

 

 

2/14/19 – The motif of yesterday’s painting of chain links takes root as I finally find a use for the shredded transcripts of family interviews that I inked last year.  While I don’t have much experience constructing dimensional pieces–I do remember making paper chains in grade school…

 

2/15/19 – Spending all day making encaustic paper chains out of shredded family transcripts. 5hrs down, 4hrs to go…

 

2/21/19 – I started the day making strands of orange & red, but then decided to limit my palette to colors of the Tanzanian flag — fitting since these paper chains are made from shredded transcripts of interviews with the Tanzanian side of my family. So now I’m focusing my efforts on blues, greens, yellows. Onward!

 

2/25/19 – All day, today & tomorrow, I’ll be 1) coating transcript strips with encaustic medium on the hot plate to 2) make links, then 3) gluing them into chains. Podcast playlist is packed, headphones are fully charged. Here we go…♡

3/1/19 – Much gratitude and love to my friend Connie for coming over this morning to help me create an alginate mold of my face.

 

3/1/19 – Been obsessively scraping and cleaning up this piece with my pottery & dental tools for 4 hours straight. SO satisfying! But it’s time to step away, and return with fresh eyes tomorrow to check out my handiwork in the light of day…

 

3/4/19 – As I experiment with making an encaustic cast of my face, I’m struck by how much the wax-filled mold looks like an oyster shell…🌊

 

3/5/19 – Turned out, and cleaned up, the encaustic cast of my face. The verdict is still out re: how I feel about it. It’s getting a bit weird (and eerie), having disembodied faces on my work table. Here’s hoping I can turn them into something beautiful!

 

I made this short video about the “source material” for these paper chains – shredded transcripts of the family stories I gathered while filming on Mt. Kilimanjaro in 2003.

 

3/19/19 – Working on the bottom half of my dimensional encaustic piece today — arranging the wax/paper chain in (what I hope will be) an ascending spiral!🤞🏽

 

3/26/19 – Spending the day weaving twigs to form the interior walls of the Chagga hut that will surround the wax mask…♡ Wood up top, paper below.

 

3/28/19 – Yesterday was a “2steps forward/1step back” kind of day. This is the challenge and the thrill of #LearningByDoing . Even tho I had to undo a lot of my work, no effort was lost. Each go-around leaves a trace of story that will be seen and felt in the final piece. Every turn is worth the effort.

 

3/28/2019 – #TBT2004 to filming in my father’s Chagga hut on Mt. Kilimanjaro. Fast forward 15 years, different medium, same story (exploring my cultural inheritance and legacy). Spent today finishing the woodwork that, for me, is reminiscent of the interior of our hut.♡

 

3/29/19 – The Stories We Inherit (72″x 12″x 11″) – Wax, wood, wire, and paper. Calling this piece done…for now…at least in its current iteration. You know how it goes.

 

Nine Elephants – Origin Story

Exhibition, Narrative, Origin story, Story, Works In Progress

Backstory:  Twenty years ago, I was reeling from the upheaval of my Saturn returns. So I rented a beach cabin and spent 4 days in silent meditation, writing about what values I wanted to guide my life choices.

photo by Zorn B. Taylor

I came away from that retreat having whittled my list down to nine values…values that my spirit animal exemplifies. I got a tattoo of 9elephants as a reminder of the Being I aspired to be.

The theme of 9elephants has since informed my activism and filmmaking. It’s the name of my production company. These values formed the cornerstone of our wedding vows 16 years ago, and the foundation of my parenting principles 11 years ago. And so I suppose it was just a matter of time before this recurring theme manifested in art form…

 

5/8/18 – Starting my new biggie piece (36″²) while watching Hari Kondabolu’s Netflix special that dropped today!!! Wood glue burn of my Chagga nickname written in Korean — which will hint at land masses in the final piece. The paint palette will simply be the colors of the Tanzanian flag.  And so it begins, again…

 

5/8/18 – End of Day 1: I’ve been having WAY too much fun painting a background watercolor.  Most of this will be obscured when this is all done. But I am a big believer that all the energy, attention and intention I pour into each layer will be felt in the final piece. The beauty is in the making…

 

 5/12/18 – Saturday morning, added layers of encaustic and oils to this Biggie piece today. Reminds me of Tanzanian kitenge cloth.

 

5/18/18 – After putting this painting in Time Out for a week, I had a huge AHA! moment while writing this morning. My way forward with piece suddenly became clear. And now, instead of playing hookie today like I’d planned, I am completely Obsessed with bringing my vision to life!!! Folks who’ve known me a while can probably see where this piece is going…

Shine On!

#NoPanelLeftBehind, Exhibition, Narrative, Origin story, Works In Progress

Every painting has an origin story.  My initial vision for this blog was to show the evolution of pieces, from start to finish.  (If I could, I would name my blog, “The Journey Is Everything.”)  You can track the progress of all my pieces on my Instagram feed.

Here is the origin story of Shine On – my rusty sunflower piece, which has taken on many forms over the past year…

8/12/17 – Wrote out my morning meditation on engaged, contemplative imagination. #BeginAgain

 

8/14/17 – Morning Meditation (final).  For my COCA Residency, I took this 24″x24″ white painting, and brought it to life in a 90″x 90″ 3D installation ~ The Truth Has No Borders.  This shipping container installation combined 40 years of work in writing, music, film and art into a single exhibit examining identity, family, culture and migration.

 

2/10/18 – I lied earlier when I posted the white painting, Morning Meditation, and said it was my “Final” layer. The following week, I was bored to death of it. So I taped it back up, and went back to work.

 

2/12/18 – Shoreline. Came downstairs to find the kid laying out wax scraps on my painting, telling me it needed more texture. So I spent the day fusing the wax scraps onto the painting, and adding silver leaf.

 

7/19/18 – And now, for something completely different.  I scraped and torched the Shoreline piece all the way down to the panel. 🔥🤩  The free write on the base of this panel was suffocating under the layers of valiant, earnest effort. Now it (and I) can finally breathe again.#BlowtorchTherapy #NoPanelLeftBehind #BeginAgain

 

7/31/18 – Today I return to a mostly empty studio, and start the day by making sunflower seeds ~a perfect meditation for beginning again.

 

8/1/18 – Got my first coat of rust on the sunflower seeds.

 

8/2/18 – Conquering fears today about not being able to draw by just painting these petals on free hand. More coats to follow. 😅 (I needed some way to pass time while the second coat of rust dried on the sunflower seeds!)

 

10/16/18Shine On! Applying new knowledge about color mixing to this piece, which is vying for a spot in pop-up exhibit/talk next week (“My Life in 24 Frames“, 10/23 at 6pm, Columbia City Gallery).

 

Day 30 – 30 paintings in 30 days

30in30paintingchallenge

wp-15383213005714927054244311169479.pngUPDATE: This shop was live for the month of October only,
and is now offline.
The remaining SOLO pieces are available for sale
through Columbia City Gallery (Seattle).

.     .     .     .     .

Today is day 30 of 30!!! So grateful for this daily studio and writing practice that helped me stay grounded through this challenging week…

Now that my online store has launched, I want to find new ways to use my art in service to my activism. So I’m excited to share that I will be donating 20% of the proceeds of my SOLO sales to the Coalition Ending Gender Based Violence.

So you can treat yourself to a color-filled painting that lifts your spirits while buying direct from the artist, and know that a portion of your money will go to support survivors of sexual and domestic violence.

Thank you for kindly for your consideration.

And with that, I give you my final painting ~ #30 of 30:

SOLO #28 – 9″x12″ Oil & cold wax on Arches Oil Paper (2018)